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Figure Drawing: The Structure, Anatomy, and Expressive Design of Human Form, by Nathan Goldstein
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Examines how the four basic factors in drawing the figure - structure, anatomy, design and expression - assist and govern each other. It focuses on the figurative and abstract consideration of drawing observed or envisioned human forms, and considers perceptual, technical and subjective aspects.
- Sales Rank: #1662306 in Books
- Published on: 1993-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x 8.50" w x .75" l,
- Binding: Paperback
- 352 pages
From the Publisher
A comprehensive examination of the ways in which the four basic factors in drawing the figure -- structure, anatomy, design, and expression -- assist and govern each other.
From the Back Cover
Key Benefit: A comprehensive examination of the ways in which the four basic factors in drawing the figure—structure, anatomy, design, and expression—assist and govern each other. Key Topics: Focuses on the figurative and abstract considerations of drawing observed or envisioned human forms. Considers perceptual, technical, and subjective aspects, and examines these factors interworking. Takes a broader view that regards the figure in its context. Features illustrations —several in color—of over 40 new works by contemporary artists
Most helpful customer reviews
37 of 37 people found the following review helpful.
Good, Comprehensive, and Heady
By Woodie
There's good and not so good in this book. The good is, it is very comprehensive, well organized, and authoritatively written. The bad news is, many of the concepts are complicated and difficult to follow. The writer assumes you understand many things because he doesn't bother to verbalize them very well. This is typical of an academian in my experience. Academian's like to throw something out there and wait for you to ask them what they mean. Unfortunately, that approach does not work so well in a book. To his credit, if you dwell on the ideas long enough they eventually do sink in and approach brilliance. So understanding this book is like understanding art. It takes a while to digest. That said, I recommend the book and be prepared to have your head expanded. This book turns over every stone in the quest to better understand drawing.
As an example here is a random passage I picked describing "Location and Proximity". "The relational energies of location and proximity are produced by the association of like or unlike elements according to their position on the picture plane or in a field of depth." You see what I mean? You gotta love it.
0 of 0 people found the following review helpful.
Worth owning
By corpus habeus
Excellent illustrations. Writing is a bit dense and generalised but its a good book to have if you are serious about figure drawing.
8 of 9 people found the following review helpful.
Figure Drawing Class In A Book!
By Earl Johnson
Online I did some research to see what books art schools and classes are using this one as well as a few others kept coming up! I am self taught due to time constraints, but I feel that though I didn't have a professor standing over me giving me advice, I could still gain a decent amount of information just by reading and applying the things learned in my drawing. The suggested exercises are invaluable and will take a while if properly done. I suggest using this book only after getting a basic understanding of anatomy, even though this book covers anatomy. Get a strictly anatomy book like Peck's, Richer's, or Goldfinger.
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