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Letters to a Young Novelist, by Mario Vargas Llosa
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Mario Vargas Llosa condenses a lifetime of writing, reading, and thought into an essential manual for aspiring writers. Drawing on the stories and novels of writers from around the globe-Borges, Bierce, Céline, Cortázar, Faulkner, Kafka, Robbe-Grillet-he lays bare the inner workings of fiction, all the while urging young novelists not to lose touch with the elemental urge to create. Conversational, eloquent, and effortlessly erudite, this little book is destined to be read and re-read by young writers, old writers, would-be writers, and all those with a stake in the world of letters.
- Sales Rank: #612015 in Books
- Published on: 2003-06-01
- Released on: 2003-06-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .34" w x 5.50" l, .30 pounds
- Binding: Paperback
- 144 pages
From Publishers Weekly
Now based in London and teaching at Georgetown University in the U.S., Peruvian novelist and erstwhile politician Vargas Llosa's novels (In Praise of the Stepmother, etc.) and essays (Making Waves). Though the "Letters to a Young " concept has recently been franchised by another publisher (applying it to everything from golf to rabble-rousing), Rilke's slender and sage Letters to a Young Poet remains the standard after 100 years. Vargas Llosa's 12 Letters to a generalized interlocutor drift in and out of Rilke's league, rich with insight into Western literature and with commentary on the urge that overtakes its practitioners "The literary vocation is not a hobby, a sport, or a pleasant leisure-time activity. It is an all-encompassing, all-excluding occupation, an urgent priority, a freely chosen servitude that turns its victims (its lucky victims) into slaves." Yet Vargas Llosa is also somewhat wryly withholding, as if to thicken the plot: "Writing novels is the equivalent of what professional strippers do when they take off their clothes and exhibit their naked bodies on stage. The novelist performs the same acts in reverse." His examples of good and great novelists, whom he discusses while making larger philosophical points about concepts like style, time or representation, are pretty hard to take issue with: Woolf and James; Dos Passos and Hemingway; Flaubert (Madame Bovary is a particular favorite), de Beauvoir and Robbe-Grillet; Borges and Cervantes. Neither a survey course in what to read nor a practical guide to writing, the book finally is a meditation on writing and its proper relationship to life. "Good novels, great ones, never actually seem to tell us anything; rather, they make us live it, and share in it, by virtue of their persuasive powers." Particularly given the excellent translation here by PW contributing editor Wimmer, the same could be said for letters like these.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Imitating Rilke's Letters to a Young Poet, the famed Peruvian novelist passes out advice in the form of 11 letters.
Copyright 2002 Cahners Business Information, Inc.
From Booklist
The author of the magnificent historical novel the Feast of the Goat [BKL Jl 01] ostensibly addresses a young protege in this series of 11 letters distilling his own fiction-writing concepts into concrete terms. The great Peruvian master proves to be a wellspring of wisdom, experience, and inspiration not only for serious fiction writers but also for serious fiction readers. Eschewing the presentation of some kind of program for quick publication, Vargas Llosa instead becomes an instructor in the anatomy of the novel. Believing that "inventing beings and stories" is based in a writer's need for rebellion, and that "literature becomes a permanent preoccupation, something that takes up your entire existence," Vargas Llosa compels readers and would-be writers to ponder, among other ideas, the need for a novel to possess the "power of persuasion," an "essentiality" of language, and a form "expressi[ve] of the artist's originality." Commentary on favorite books merges with theories and musings, resulting in a work of sheer, provocative eloquence. Brad Hooper
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
13 of 13 people found the following review helpful.
Concise, Real, and Enlightening
By A Customer
This book is written as a series of letters to an anonymous, aspiring novelist. Obviously it is fashioned after Rilke's "Letters to a Young Poet", and although somewhat cheeky, the style and tone of these pseudo-letters fit Mario Vargas Llosa's objectives in writing.
Unlike some of the mainstream writing tutorials that are around, this volume, although slight in page length, has genuine and truly original insights that will help your writing tremendously. For example, whereas most writing instructors teaach you to stick to one point-of-view, Vargas Llosa says one of the most unbending rules in fiction is that no novel sticks to one kind of point-of-view, that it subtly changes. There are equally startling and persuasive directives regarding spatial and temporal matters in fiction.
The book is fun to read as well; only a novelist of Vargas Llosa's caliber can dismiss many of the so-called 'classics' and not seem vindictive and/or crazy. To fully understand this book (although not totally necessary), a reader should have at least a passing knowledge of the writers and their works that Vargas Llosa invokes as examples. i.e. Proust, Flaubert, Robbes-Grillet, etc.
If you are an aspiring writer, chances are good that this wry book will be an indispensable guide. Highly recommended.
12 of 13 people found the following review helpful.
Adroitly written
By bentmax
"Letters" is an adroitly written instruction book for beginning writers. Incorporating an imaginary correspondent, Mario Vargas Llosa writes a series of letters to a young protege sharing his years of literary experience and outlining the principles that make a novel. It is an interesting vehicle for an instruction book and it works. Most books of how to write are overloaded with superfluous detail and have the annoying tendency to be academic in the approach to writing. This book is breezy, conversational, loaded with brilliant insight and fun to read. Sighting loads of examples from classic and not so classic novels he brings to life essential topics of style, voice, time, point of view and other narrative tools that the masters of the novel have incorporated for hundreds of years.
Many of the novelists Vargas Llosa sites for his many examples are unknown to me and he has roused my interest in reading their books. Alas, many of them are not translated into English (at least not that I can find on Amazon). But that does not diminish the satisfaction derived from reading this diminutive book. His best advice to any writer is to be a great reader. An example he has clearly followed himself.
8 of 9 people found the following review helpful.
Insightful and encouraging
By Sarah
In this short but entertaining and enlightening little book, Mario Vargas Llosa discusses the art of writing fiction. As the title states, it is divided up into 11 letters ostensibly written to an admiring young novelist.
This is not so much a "how-to" writing guide, with step-by-step instructions on improving one's craft and abilities. Though it addresses many of the same subjects (Style, Narration, Time, etc.) it still, to some degree, feels like it touches on something deeper, within the writer himself. It's hard for me to say exactly what that is at this point, several months after I finished reading the book, but suffice it to say, at the time I had a distinct feeling that I was not only reading about how to improve my writing, but myself as one who desires to write. In this regard, I found the book extremely encouraging. The style is warm, open, and friendly. No sense of arrogance, no put-downs, no bitter cynicism or sarcasm. Go live and love life and bring that to your writing. And more importantly: write, write, write and do not stop.
I enjoyed reading this book, not only because it was full of helpful advice, but because it made me feel like writing is something that I can do and have as much right to do as anyone else, including seasoned and published authors. It's easy to fall prey to the notion that we aren't as worthy of writing because we aren't as talented, practiced, capable or whatever as the greats but it isn't true. Anyone can write and we should all strive to improve ourselves and our writing. This book mentions several ways to do just that but there are many more. The best and only way to figure them out is to sit down and start punching out word after word after word.
If I knew an aspiring writer who needed some advice and encouragement, I would give him this book. Definitely recommended.
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